This was designed to accompany AEA's ribbon mics, and one of its claims to fame is an astonishingly low noise floor and utter sonic transparency — it adds, quite literally, nothing other than gain, and takes nothing away. Peluso 2247 SE. My first Peluso was the SE, then I decided I wasn't crazy about it and John let me trade it for the LE (plus additional cash, of course). The real strength, though, is in the mid-band, which seems warm and fulsome, but doesn't cloud the transient response higher up the range. The basic model is slightly shorter, at 200mm, and weighs a little less as a result (775g). However, the Peluso mic seems to have the same general characteristics that I remember of U47s of old, including the ease of use and full, rich, bigger-than-life sound. To achieve the distinctive '47 sound we have found the 6SJ7 American style steel tube provides the same sonic quality as the VF14. In the 1970's German radio modified the original U-47 incorporating this glass style tube to conform to broadcast standards. I have the LE version of the mic, if you want to hear what that sounds like, all my recordings feature it. The views expressed are those of the contributors and not necessarily those of the publishers. The bass end is worthy of praise, too — smooth, detailed and solid, but not too overpowering, and well-balanced in relation to everything else. This is the Peluso 2247 LE microphone test rec video with a K-POP singer Laylove. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. The 22 47 SE features Peluso's heavy-duty 8 … Peluso 2247 Se Standard Edition Tube Microphone Brand: Peluso. … John Peluso's company is currently offering three versions of the 2247: a basic model and two variations, the Standard Edition (SE) model and the Limited Edition (LE). Their current range features several models, many with very familiar-sounding names: the 22251 (after the Telefunken 251), the P12 (AKG's C12), and the 2247 reviewed here. That could be a serious temptation if you don't already have top-flight preamps available. The dual sided capsule in the 22 47 SE enable the power supply to feature 9 polar patterns in an array from omni-directional to cardioid to figure eight. Peluso Microphones; Peluso 2247 SE. Currently unavailable. The power supply is modelled to look very similar to vintage units, with a 'hammered', gunmetal-grey paint finish, and vintage-style toggle switches and knobs. By the mid 1960s, the U47 had switched to the K49 capsule, which had a polyester diaphragm instead of the original's PVC design. However, there was a quality-control-style frequency-response printout, showing an astonishing flat line between 40Hz and 10kHz, with a gentle droop above that. The whole 2247 SE kit (the mic in its wooden case, the shockmount, the connecting cable and the power supply) is contained within a sturdy flightcase. The SE and LE variations of the microphone have dimensions of 58 x 235mm and each weighs 855 grams. Peluso 2247 LE Limited Edition Tube Microphone is styled after the classic "Neumann U47" Tube Microphone. The circuitry is very simple, but good-quality components are used throughout. Whereas the Neumann K47 capsule had two diaphragms on a shared backplate, the Peluso capsule uses an off-shore capsule with dual backplate design. Of course, it doesn't provide phantom power, so it can't be used with most capacitor mics, but since valve mics have their own power supplies anyway, it makes an ideal partner for them. What We Think - Peluso 2247 LE Review "The Peluso 2247 LE is a sort-of glorious "Mr. Natural" - Neutral but not certainly not boring. The PVC material degrades over time to make the diaphragm very stiff and brittle, and the mic becomes considerably brighter as a result. I spent good time with both versions but I was much happier with the LE. I have been fortunate enough to use genuine U47s in the past and, like most of the classic Neumann mics, they have the ability to work perfectly in a mix right from the off. More to the point, perhaps, it sounds fantastic anyway, regardless of whether it is a sonic match for the U47 or not! Part of the problem with finding a suitable valve replacement was that the original power supply provided only 105V (for both the anode voltage and the heater supply, via a dropper resistor that produced a lot of heat). The VF14 is impossible to find these days, but the EF14/UF42 version, which can still be found, can apparently be used with a very minor modification to the heater supply. Sensitivity, at 12mV/Pa, is a little low compared with modern capacitor mics, but I doubt that will cause problems for anyone. The basic (shorter) version mentioned earlier is about £400 less expensive, with slightly better technical specifications and the same sonic characteristics, but it is 'less accurate' as a replica U47 because it uses a different type of valve for its impedance converter. The Peluso 2247 SE Tube Microphone is paired with the Peluso MX-56 power supply. FS: Peluso 2247 LE - mint condish!!! The Peluso 22 47 LE is equipped with a vintage German ‘EF’ style steel tube (Stahlröhren) manufactured between the 1940s and the ’60s. All contents copyright © SOS Publications Group and/or its licensors, 1985-2020. I just received a very lightly used Peluso 2247 LE mic and I am using it to record male vocals (mine), acoustic guitar, and possibly distant miking electric guitar cabs in my home studio. The scale of the graph is such that small level variations are impossible to see, but there appears to be a modest scoop of a few dB stretching between about 500Hz and 3kHz. Each of the Peluso 2247 versions offers nine different polar patterns, controlled by a rotary switch on the power supply, ranging from omni, through cardioid and on to figure of eight. The capsule is a 34mm gold-sputtered design, but the diaphragm material is not specified. John Peluso's company is currently offering three versions of the 2247: a basic model and two variations, the Standard Edition (SE) model and the Limited Edition (LE). However, the Chinese have quickly become very skilled microphone-capsule manufacturers, so I wouldn't necessarily hold the source of the components up as a black mark, and Peluso have a fine reputation and a considerable amount of experience in repairing and reworking vintage microphones and capsules — so they should know how to build an accurate-sounding replica! Surfing over to the Peluso website, I managed to find a complete set of specifications for the Limited Edition model. These vintage tubes are thoroughly tested and fully covered by our 3-year warranty. Do not buy the Peluso 2247 SE... when you can buy the LE. Self-noise for the German Stahlröhren tube model is is 16dBA (fractionally higher than the original U47), while the American-tubed version boasts a self-noise of 14dBA. The 2247 shared that same quality, and I just didn't feel the need to fiddle with the EQ when using this mic, not even on the acoustic guitar. At over £1300 in the UK, the 2247 SE is an expensive microphone, competing with some of the very best that money can buy: classics like the DPA 4011, for example, as well as the Neumann M147, the TLM 170R and the U87ai. The 2247 LE is a full-sounding microphone from top to bottom which is at home on instruments . From what I can tell, you sound pretty good with it. LEWITT LCT 440 PURE Large Diaphragm Condenser Microphone The mic delivers a lovely, clean, airy sound: there is certainly no obvious lack of top end but, equally, there is no harshness or falseness there either. It differs from the 22 47 … First Look: Pro Tools | Carbon. Another variation on the original theme is that only two polar patterns were provided on the U47: omni and cardioid. However, I was also able to use it to record acoustic guitar (a gorgeous Lowden), cello and saxophone. It may seem an odd arrangement, but actually it was a smart move, as it allowed Neumann to avoid paying royalties to Telefunken over patents in vacuum-tube technology (the VF14 was a Telefunken valve). To test the 2247, I deliberately chose to use my TRP preamp. This tube helps the 22 47 achieve its high gain and low noise floor. fs - Peluso 2247 LE SE American Tube. The 2247 retains the typical vintage character that provides enough brightness but without overdoing it — similar to a good ribbon in many ways, only more so. Again, it is still very much worth an audition! By brodgind in forum Microphones Replies: 9 Last Post: 02-27-2007, 13:07. If this is your first visit, be sure to check out the FAQ by clicking the link above. So many capacitor mics seem to deliver an excess of high frequencies, often tainted by a kind of resonance that can grate over time. The body of the mic can be removed easily by unscrewing the base, to reveal the electronics. There are a number of U47 clones around, but in terms of modern microphones at a similar price, the 2247 can be compared to the likes of the Blue Mouse, the DPA 4011 or 4006, or three Neumann classics: the excellent TLM170R, the U87ai and the M147. Jeff, that is not a raw file, you have heavy effects on the vocals, which are also in the background compared to the guitar, which is forward. All rights reserved. Q. In the early 1970s the first solid-state version was produced, the U47fet, which used the K47 capsule — although Georg Neumann is reported to have commented "Don't try to bend the laws of physics in pursuit of a particular sound. It sounds like it could be any mic. Voiceover LDC Mic Shootout - Neumann U87Ai vs. Peluso P87 vs. CharterOak E700 vs. Peluso 2247 SE Sound Pure Pro Audio Expert Travis Hall does a quick voiceover mic shootout between the Neumann U87 Ai, the Peluso 2247 SE, the CharterOak E700, and the Peluso P87. Peluso 2247 Le or other vocal mic? I have several of their microphones. However, because the U 47 has been out of production for decades, the price of original 47s is absolutely through the roof. Although the mic is marketed as being hand-built in America, it seems that these are largely Chinese parts. Peluso's more expensive 22 47LE (Limited Edition) differs only in the tube used: a NOS Telefunken EF12K. At this time, my favorite Peluso is the 22 47 LE.This also comes as the 22 47 SE.The distinction between them … The Peluso 22 47 is a large diaphragm condenser microphone styled after the legendary "Neumann U-47". One Synth Challenge V - The Filter Strikes Back! In other words, with my voice, the Peluso makes me think of pouring a coke over ice while I speak. However, as a result Frank Sinatra famously always referred to his Neumann U47 as a 'Telly', and few Americans realised who the real manufacturers of this famous mic were! While this mic does not have quite the incredible detail and subtle warmth as his SE version (Peluso 2247 SE), Peluso has created an incredibly affordable tube microphone that captures a lot of the original coloration and sonic characteristics (nice round low-end and low-mids) that made the original Neumann U47 so famous. We don't know when or if this item will be back in stock. While I won't say the 22 47 LE is a clone of a U47, it does have a lot of its character, such as a darker top, compared to a C12 or 251, and has what I call a more 'carbonated' bottom. Taking a more lateral approach, AEA offer a very attractive package combination of an R84 ribbon and TRP preamp, costing only a little more than the 2247 SE. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. I mainly used the 2247 to record vocals (both male and female), since I imagine this is what the vast majority of people will use it for. The Peluso 22 47 SE is a large diaphragm condenser microphone styled after the legendary "Neumann U-47". Why Are Some A-B Stereo Arrays Angled Outwards? The cello sounded warm and sonorous, with lots of wood and rosin, and I find it hard to find any real fault with this mic at all. Someone wants to cover one of my songs... but wants to ... DIY baffles & acoustically transparent material. Other valves can be used too, but they all involve modifications to the power supply to provide a separate heater voltage. This mic just seems able to produce 90 percent of the 'right sound' straight out of its XLR socket. Available in three different versions, each of which uses a different valve. The Peluso 22 47 LE is equipped with a vintage German 'EF' style steel tube (Stahlröhren) manufactured between the 1940's and the 60's. The last sounded slightly different, and the valve had a much shorter life span than the VF14 because it got too hot. The Peluso 22 47 LE is a large diaphragm condenser microphone styled after the legendary "Neumann U-47". The Peluso 22 47 is equipped with a glass triode tube. If so, this is a dual-triode variation of the ECC808 — essentially a low-noise version of the more familiar ECC83/12AX7. True U47 sonic characteristics, including a larger-than-life sound. Peluso does not tune their 2247 in reference to 50 year old U-47's, but rather more like the original sound of the M7 capsule. I have an Art Pro Channel preamp, but I don't use it much and think the preamps in the Fireface may be better. Maximum SPL is given as 140dB (but without any indication of how much distortion occurs at that level). Peluso 2247 Se Standard Edition Tube Microphone The Peluso 22 47 SE is a large diaphragm condenser microphone styled after the legendary "Neumann U-47". For everything from country and rock to pop and hip-hop vocals, the U 47 is a sound nearly everyone can agree on. Also included in the product line-up are a ribbon model and a solid-state, small-diaphragm mic, so pretty much all the classic designs are catered for. The 2247 is, in case you hadn't already guessed, modelled directly on the classic Neumann U47 valve mic, which was the first ever switchable-pattern valve condenser microphone and went through several revisions during its lifetime (you can read more about the U47 elsewhere in this article). Classic U47 styling and vintage-looking power supply. In that context, the price is easily justified, and if you can argue a compelling case to invest this kind of money in a versatile top-end mic then the 2247 SE should be on your list of suspects. These vintage tubes are thoroughly tested and fully covered by our 3-year warranty. I wasn't able to compare the 2247 directly against a real U47, and it has been a while since I have used one myself. Both are metal-cased valves, rather than the more familiar glass-tubed designs. Mastering Essentials Part 5 - Compression & Limiting, Mastering Essentials Part 4 - Mastering EQ: Balance, Don’t Match. Just got my Peluso 2247. http://spinningaroundthesun.com/Music/NobodyHome.wav, http://spinningaroundthesun.com/Musi...me-noplugs.wav, http://spinningaroundthesun.com/Music/NobodyHome.mp3, If this is your first visit, be sure to So, I can't give any real feedback about the mic for your voice. The only thing missing (from the review sample, at least) was some sort of manual and specification sheet. On the saxophone, it produced a rich, full-bodied sound, with plenty of detail and life, and no complaints about the SPL produced close to the bell. The Peluso 22 47 SE is a large diaphragm tube condenser microphone which aims for the sound and look of the longbody U 47. This version of the 2247 apparently uses the 6072A dual-triode valve, which endows it with a self-noise figure of 12dBA — that's 3dB less than the original U47. Studio Tube Large Diaphragm Micro. Guitar speaker magnet influence on close dynamic mic? While the former is, arguably, more 'authentic', it is noisier, and the latter uses a more easily available valve and is quieter. In its day, the U47 had phenomenal specifications and really set the standard — a standard which a surprising number of modern mics fail to match. If I had to be picky, I could complain that it is fractionally noisier than the best of modern designs. We have sound clips of a Vintage U47 vs. Peluso 2247 Details Peluso 2247 SE Specs Peluso 2247 SE Media The Peluso 2247 SE is a large diaphragm condenser microphone styled after … It doesn't have the 'edge' that many modern Neumanns seem to have, but still retains the clarity, detail and warmth that is needed. check out the. Could the result be even better than the real thing? The LE seems to be about as close a copy of the original as it is possible to get, as it is fitted with a German 'Stahlröhren' Telefunken 'Steel Tube' VF14-equivalent valve, whereas the SE model uses an American Steel Tube equivalent, the 5693/6SJ7. Win! Price: $1,999.00 & FREE Shipping: New (2) from $1,880.00 + FREE Shipping. You may have to register before … The Peluso 2247 LE is a large diaphragm condenser microphone styled after the legendary “Neumann U-47”. Only the last is a valve microphone, of course: the M147 is the direct descendant of the original U47. This American style tube is readily available and allows us to offer the Peluso 22 47 Standard Edition at a very competitive price. To achieve the distinctive "47" sound we have found the 6SJ7 American style steel tube provides the same sonic quality as the VF14. Studio Tube Large Diaphragm Micro Frequency response: 20 - 22000 Hz, Polar pattern: omnidirectional, cardioid & figure-8, Nominal impedance: 200 ohms, Max. However, it can hold its head up high in this company and, arguably, will deliver a better sound — maybe not technically, but sonically and artistically. $149.00. What is a "hybrid" audio interface anyway? The specifications claim the valve should be a 5696/6SJ7 pentode, but the markings on the side of the black metal case (which, to be fair, were very hard to read) appeared to be 6KX8. It's not even that fussy about placement, although it obviously pays to take the trouble to find the sweet spot of the instrument. 2 ratings . One might say I’ve become somewhat of a connoisseur of Peluso microphones. Peluso Microphone Lab are American 'boutique' microphone manufacturers who build vintage-style mics by hand, using high-quality components and metalwork. With nearly identical specifications, the only discernable difference between these two tubes is a 2dB quieter noise floor on the 6SJ7. By gilbert in forum Free Ads for Music/Recording Equipment Replies: 0 Last Post: 05-02-2007, 05:53. Professional engineers enjoy great success with the 22 47 SE for a wide range of applications from male and female vocals, acoustic guitar to tenor sax. Strangely, I also found that I used less compression on the vocals than I normally would have expected. PreSonus StudioLive 32SC Series III Mixing Console. The initial U47 model was launched by Neumann in 1949, and it employed the infamous M7 capsule (a design which dates back to 1930), along with the VF14 pentode valve (although operated as a triode). We like to call this one the Peluso "short-body" 47. (See my reviews: 22 251, CEMC6 and 22 47, R-14.) Supplied as a full kit with shockmount, in a flightcase. Right from the early days of Neumann after the war, Telefunken were appointed to distribute the microphones worldwide, with the Telefunken logo in place of the Neumann badge. My interface is an RME Fireface 800. 4.5 out of 5 stars 2 ratings. The Peluso 2247 is a remake of the classic Neumann U47, retaining all the desirable sonic qualities of the latter but extending the versatility with nine switchable polar patterns instead of just two. Peluso 2247 LE Tube Microphone Brand: Peluso. Peluso set out to replicate the classic performance and style of Neumann's legendary U47. But being realistic, the noise floor is no worse than most high-end small-diaphragm mics, and you wouldn't notice it in any practical application anyway — this isn't a mic intended for distant placement, after all. One of two U47-type models offered, the Peluso 22 47SE (Standard Edition $1,967) looks, feels and attempts to recreate, the sound of a brand-new long-bodied Neumann U47. The 2247 SE has the additional feature of 9 polar patterns, controlled from the power supply. Peluso 2247 LE - Great River NP500NV - Retro comp - FF UFX Mixed with no EQ. The modest circuit board is marked as a Rev 3 version, and the output transformer is neatly encased at the bottom of the mic's structure, with the integral seven-pin output XLR (the originals had 6-pin connectors because a separate heater supply wasn't needed). The mic is supplied in a nice, foam-lined wooden box, along with an elastic spider shockmount (the classic Neumann design). The third version of the mic is based on a modification of the original U47 design (introduced by the German radio broadcasters in the 1970s), in which the original VF14 pentode was apparently replaced with a glass triode valve, and the noise-floor improved as a result. Web site designed & maintained by PB Associates & SOS. In 1955 the U47P model was produced, with a 'torpedo head' for the newer, aluminium-diaphragm M48 capsule, and then the U47N version was introduced, with a 13CW4 Nuvistor instead of the VF14. The fake Neutrik connectors on the seven-pin cable, carrying the 'Legun' name, are an obvious clue, but so too is the engineering of the metalwork. Higher output than a real U47, and slightly quieter too. The Neumann U 47 is not only one of the most iconic microphones in the world, it is possibly the most sought-after mic for that “big and warm” vintage sound. Peluso ; 2247 LE ; Peluso 2247 LE. In this blind microphone shootout you will have a chance to compare four of John Peluso’s large diaphram tube condenser microphones: the P12, the 2247 SE, the P67, and the 22 251. Condenser microphone Peluso ; 2247 LE is a valve microphone, of course: M147. The microphone have dimensions of 58 x 235mm and each weighs 855 grams `` Neumann U-47 '' those! 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