The poster specifically characterizes Democratic candidate Hiester Clymer's platform as "for the White Man," and his opponent James White Geary's platform as, "for the Negro." I have no arm's! Anthony BurnsAn 1855 portrait of the fugitive slave Anthony Burns, whose arrest and trial under the Fugitive Slave Act of 1850 touched off riots and protests by abolitionists and citizens of Boston in the spring of 1854. The transparency shows a political cartoon from October of 1874 created by German immigrant Thomas Nast (1840-1902). . Silver spoons protrude from Butler's pocket refers to Butler's nickname "Silver Spoons." Feature in another illustration in this collect titled, "An Heir to the Throne, or the Next Republican Candidate. The image was deposited for copyright to the Library of Congress on January 25, 1855, under the name Anthony Burns. In Every part, and Public Liberty and Private Right." The image depicts Captain John Kimber, who captained the slave ship Recovery and was accused of torturing and killing a young girl aboard his vessel in 1791. This is displayed in a full-blown, elaborate attack on Reconstruction and Republican support of Negro rights. Vallandigham responds, "Look here if you think to Burn-my Side you will get foiled." Thomas Jefferson Slavery Political Cartoon Period 4 (1800-1848): Politics and Power | Sutori . He is paired with Democratic incumbent and ally James Buchanan, depicted as a goat or (as he was nicknamed) "Buck." The skeleton responds, "Sure enough. (image) | A somewhat tongue-in-cheek dramatization of the moment during the heated debate in the Senate over the admission of California as a free state when Mississippi senator Henry S. Foote drew a pistol on Thomas Hart Benton of Missouri. Its columns and walls are labeled, "Candy," "Rum, Gin, Whiskey," "Sugar Plums," "Indolence," "White Women," "Apathy," "White Sugar," "Idleness," "Fish Balls," "Clams," "Stews," and "Pies." The two Lincolns are shown... Rare Book and Special Collections Division. See more ideas about slavery, truth, political humor. One scene shows a black woman sold at a slave auction, and another scene portrays two white men flogging a black man, as an overseer watches approvingly. He lifts his spoon from the plate and finds in it a kneeling black man,... 1 print : lithograph on wove paper ; 31.3 x 34.2 cm. Anti Annexation ProcessionAn 1844 lithograph titled, "Anti Annexation Procession." Massa Taylor like fighting better then him dinner." The free population of the United States enjoying the refreshing shade of the tree of liberty. Illustrations with more complex political content or arcane references have a more in-depth description included, such as shown with the sample images at the bottom of this page.The subject matter of these political cartoons includes slavery and key events and figures in the mid-19th century abolitionist and anti-abolitionist movement. More... 1 print : lithograph on wove paper ; 28.1 x 41.8 cm. Southerner: "It is as a general thing, some few exceptions, after mine have done a certain amount of Labor which they finish by 4 or 5 P.M. The Buchanan-Breckenridge ticket is reviled on the basis of recent developments occurring during the outgoing Pierce administration. The black man asks, "War's dis wagon gwine wid dis member ob Congress. but we are stuck. Recommended Comics Comic Lists Blog. Slavery is present as part of the context of the political dynamic expressed in each of theses illustrations.These primary historical documents reflect the attitudes, perspectives, sensibilities and beliefs of different times. First... 1 print : lithograph on wove paper ; 33.3 x 44.3 cm. The print shows a sailor on a slave ship suspending an African girl by her ankle from a rope over a pulley. The style is realism, the year is 1831, and at its forefront is the machinations of lithography in showcasing one of the best political cartoons from the 1800s, called "Gargantua. Second Southerner: "I think our Visitors will tell a different Story when they return to the North, the thoughts of this Union being dissolved is to [sic] dreadful a thing to be contemplated, but we must stand up for our rights let the consequence be as it may." Student Zachary Taylor, wearing a paper cap made out of the journal "The True Whig" is seated on a low stool at the feet of his more politically seasoned running mate Millard Fillmore. He is followed by three groups of men. One of the white men fires on them, while two of his companions reload their muskets. Political cartoon, a drawing (often including caricature) made for the purpose of conveying editorial commentary on politics, politicians, and current events.Such cartoons play a role in the political discourse of a society that provides for freedom of speech and of the press. At left New York Tribune editor Horace Greeley invites abolitionist preacher Henry Ward Beecher to play the thimblerig. The print may relate to John Quincy Adams's opposition to passage of the resolution in 1838, or (more likely) to his continued frustration in attempting to force the slavery issue through presentation of northern constituents' petitions in 1839. Other stones represent "Ruined Commerce," "$30,000,000 stolen from the Treasury," and "Negro Supremacy." 2. (image) | The opposition of Northern abolitionists, churchmen, and political figures to enforcement of the Fugitive Slave Act of 1850 is criticized in this rare pro-Southern cartoon. At the core of this collection are drawings originally designed to express sentiments relating to civic life and government in the United States and were individually issued prints. not a cent for defence Go it Strong!" The text reads: "United States' slave trade, 1830. In two panels artist Edward Williams Clay illustrates the abolitionist's invocation of a "higher law" against the claim of a slave owner, and the application... 1 print : lithograph on wove paper ; 28.3 x 36.3 cm (image) | A satire on the antagonism between Northern abolitionists on the one hand, and Secretary of State Daniel Webster and other supporters of enforcement of the Fugitive Slave Act of 1850. The first scene is impossibly naive: Southern slaves dance and play as four gentlemen--two Northerners and two Southerners--observe. Kimber's Treatment of a Young Negro girl of 15 for Her Virjen (sic) Modesty.A 1792 British etching. Frank Weitenkampf, former New York Public Library print curator, suggests that prints like these were published by Northern apologists for slavery. In the center of the picture is a flagstaff bearing an American flag inscribed "Buchanan & Breckenridge. how I would like to have such a comfortable place. Prominent antislavery advocate William Lloyd Garrison leads the third group. Here Adams cowers prostrate on a pile composed of petitions, a copy of the abolitionist newspaper the "Emancipator," and a resolution to recognize Haiti. He announces, "For success to the whole mixture, we invoke our great patron Saint Benedict Arnold." The Slavery Comics And Cartoons collected from thirty-five of the best cartoonists. (image) | The cartoonist mocks the opportunism evident in Winfield Scott's endorsement of both the abolitionist cause and the Missouri Compromise. Political cartoons have been featured in countless elections and offer political opinions on a country's most pressing issues. What's sauce for the goose is sauce for the gander 1 print : lithograph on wove paper ; 27.7 x 43.9 cm. 1 print : lithograph with watercolor on wove paper ; 27 x 37 cm. Frank Weitenkampf, former New York Public Library print curator, cites an impression with an imprint naming Robinson as printer and publisher, this line being apparently trimmed from The Library of Congress' impression.The Political Quadrille. In the cartoon Benton (center) throws open his coat and defiantly states, "Get out of the way, and let the assassin fire! Honest old Abe on the Stump, at the ratification Meeting of Presidential Nominations. and "Millions for Tribute! 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