It’s worth nothing that this is loaded with typos. You want action and adventure, and big set pieces—another thing that BTAS did incredibly well—but you also want to see his relationships with other characters, and the bad guys that make his Rogues Gallery the best roster of supervillains that any hero's ever had. Or at least misdirection. For now, all you need to know is that it’s Batman hitting someone with a chair while asking them to take a seat. There were so many issues where Adams only did a great cover…, “It’s also worth noting that Marshall Rogers didn’t just draw the Joker as a man who smiled all the time, but as a man who couldn’t do anything but smile, an influence that he traced back to the 1928 film The Man Who Laughs”. However, they have a lot of useful mods, especially ones created by Chris Hatch.) The Joker has a goal (in one form or another, chaos), is biased (towards his own satisfaction), and is extremely well planned. You don't dress up as a bat and drive around in a rocket car to fight supervillains just because you think a spooky cape is going to give you an edge against crime. So, if the plan is perfect, it stands to reason the hospital was wired in advance. "Almost Got 'Im" subverts that idea by loading up as much as it can into a single episode. Dman! I remember reading Five-Way Revenge over and over and over — it was so good. Chris Sims said... Batman saying "You just can't trust that guy!" It's also a real-life story that doesn't really have an ending. Chris: I will say, the part where Deadpool uses Cyclops powers, and inexplicably starts blasting directly at Wolverine’s penis?That’s definitely something Deadpool would do. Including four major villains—five if you include Catwoman, six if you want to view Harley Quinn and the Joker as two separate forces, and seven if you really want to make the case for counting Killer Croc based on how the other villains treat him—gives the show an opportunity to show how the bad guys interact with each other when Batman's not around. Strange, crazy goals, that they create plans to reach. Great stuff, Chris. He treats them as he WAS treated – as disposable assets. That's What's Up: The perfect episode of Batman: The Animated Series. You should take more vacations if this is the kind of stuff your brain gets up to when not at work! Was it just a slow build that returned the Joker to his roots, a combination of his lasting visual appeal and the further refining of Batman as the ultra-competent super-detective adventurer that he evolved into? The Riddler pushes Batman in an Intellectual level. 2. What’s underneath all of that? Nov 2, 2020 - Explore Amanda's board "Sims 4 Superhero CC", followed by 102 people on Pinterest. Mad people have goals. By Chris Sims / March 28, 2019 1:26 pm EST. In other words, the only thing really different about Batman and Joker are their ultimate goals (order versus entropy). His lack of identity, with no record on any database anywhere. Chris, I have to say, you truly raised the bar. And the Joker? This reminds me of the olden days when we watched real people as batman and robin and they beating the joker’s ass out. 9/11 was a few guys with knives, basically. Matt: Not even so much out of malice as much as just curiosity. He does not want Batman to fail by stopping him, he wants Batman (and everyone in general) to fail by abandoning his moral code. Yes, theft is happening, but in none of those cases was murder required to steal. It's also one of my all-time favorite bits of character work in any version of Batman, ever. He then embarks on a downward spiral of revolution and bloody crime. Read this book using Google Play Books app on your PC, android, iOS devices. And, in the end, you realize that all of that unpredictability, that chaos, had an actual goal.”. —Chris Sims and Matt Wilson on X-Men Origins: Wolverine Or, to use an example of something that sucks, Hush. Drop ceilings and low-traffic maintenence areas also present possibilities. More information Harley Quinn - He evolution and the misconceptions about her character. After you pull away the “chaos” and the “lies,” what’s left for the character? Yeah, he has the costume and the basic element of characterization, but he isn’t bogged down with thematic crimes or a master plan to kill humanity. The Scarecrow, for instance, does to civilians what Batman does to the superstitious, cowardly lot of criminals. If the Joker walks up to you and says, “Come work for me,” he might kill you if you say “no.” He’s totally bugfuck crazy. You mean the gang that was present during the robbery and completely absent when Joker somehow managed to stuff a major metropolitan hospital full of explosives without any of the thousands of employees or patients noticing anything, or indeed without any establishing shots at all? I try to show the schemers how, pathetic, their attempts to control things really are.”, Of course, as you’ve written, “The Joker” isn’t one character but several depending on who’s writing the story, and besides, the character isn’t always honest…. Pay attention to his face-to-face comments in the Interrogation scene in TDK to Batman. Not to make a huge political point but you can plan stuff like that… and the ‘crazy’ often have a big organizing plan. Anyway, I’m just going to repeat what everyone else has said. “The Joker’s Five-Way Revenge” is not the first time he’s killed someone henching for him, and he’s done it over as little as not laughing when he thinks you should or laughing when he thinks you shouldn’t. With over a dozen major appearances in TV, movies, and video games, the varied interpretations of the Clown Prince of Crime have cast a pretty wide net from amazing to terrible, and we've taken the time to rank them all from worst to best. There's a lot of different qualifiers, but there's one answer I almost always give when I'm … Unfortunately, they’ve swapped out the original Kyle Baker cover for an Alex Ross one, but c’est la vie. Incapable of not smiling? If he’d tried to trademark the fish, he probably would’ve succeeded. But as for the Joker, well… Cesar Romero’s great and I wouldn’t trade his Joker for the world, but there’s a reason the series led with the guy in green. It’s not even about himself, it’s just about baiting Batman into another confrontation. It's worth noting that there's another episode that aired only a few months after this one that pulled a similar trick. Had you continued your schooling rather than choose to school us all, this could easily have become your senior thesis or even dissertation. Rather than focusing on a single villain, or even a team-up, it's a story in which four of them cycle through a series of vignettes, cutting straight to the set pieces without sacrificing that moodiness. I feel I should point out that Ken lives in Texas, where they do. Break that down and you go through a bit of a breakdown… I wrote an article on the possible ‘true identity’ of Heath Ledger’s TDK Joker. I remember when I was very small, reading a little book version of the Laughing Fish, which probably explains so much about what I have become. His understanding of military and police procedure. Essential reading for the hardcore and casual Batman fan. He’s just also a liar. First, Chris this is a great article. What is not necessarily the best episode, but the one that is a Perfect Unit of Batman? Cookies help us deliver our Services. Does he figure out his goal, or does attempt to stop the Joker in one of the key points? http://www.dialbforblog.com/archives/391/, “Your post kicked me in the brain, not the face! Whoa – is that, gasp, actual analysis on the ISB? That's a pretty tall order, cramming in everything there is about Batman without making the story feel bloated and overstuffed, but with "Almost Got 'Im," director Eric Radomski and writer Paul Dini—also the show's Story Editor, who'd write most of the best episodes and go on to write Batman stories in the comics on and off for the next 25 years—pull it off. Short answer: a black-ops agent, Jason Bourne style, who got burned – bad. On top of that, Luther sought to cast off the power and mysticism of the Church (admittedly, not in favor of cold rationalism, but still.) Maybe “The House that Haunted Batman”…, Also, O’Neill’s Joker looks incredibly like Dick Van Dyke…. It’s not that I disagree with it so much that it’s obviously a lie that the Joker tells to Harvey Dent to get him to turn against his former allies. And, in the end, you realize that all of that unpredictability, that chaos, had an actual goal. Curious what your opinion is of the commentary there. For The Riddler his greatest Riddle is trying to solve why Batman IS Batman. (And, yes, I’ll give it to you–the perfection of the unspecified plan does stink of deus ex machina, or of a writer not quite clever enough to actually think of a really brilliant plan.). Not that I really think the point is worth arguing, but hospitals do have networks of tubes full of pure oxygen running through the walls/ceilings/etc pretty pervasively. The trick to the episode is, of course, that he's been disguised as Killer Croc the whole time, leading to one of the best visual moments in the entire show: a shadow falling across Croc's face and revealing him to be Batman. Let me show you how.” Pitting only his mind and scientific knowledge against the might of Supes, Luthor tries to shine a light on the ignorant masses. I'm honestly tempted to make a case for "Beware the Gray Ghost," too, because it's the story that best encapsulates what the idea of Batman means to his readers. Ah, just because someone had a goal doesn’t make them predictable. It’s also worth noting that Marshall Rogers didn’t just draw the Joker as a man who smiled all the time, but as a man who couldn’t do anything but smile, an influence that he traced back to the 1928 film The Man Who Laughs, which lent its title to another retelling of the first Joker story by Ed Brubaker and Doug Mahnke. I’m sure Siegel wasn’t going for those connotations, but the obnoxious post-structuralist in me says authorial intent is irrelevant, anyway. I picked up some black & white Adams/O’Neil Batman trades last week. The splash panel of the very first Golden Age Joker story is swiped from a publicity still of Conrad Veidt in the film version of The Man Who Laughs. They let schoolkids do it now. Except for the first bank robbery, the movie skips straight ahead to the point after Joker has already conceived and executed all his plans. Your ad here, right now: $0. That is why they can never destroy each other, each completes the other. It also establishes a sort of parity between them. And that plays into the themes of the episode perfectly. So, Chris, this has been posted on Metafilter. To me, Dr. Doom became the character who consumes the most love I have for comics in Annual #2, where as a child he reacts to his father’s death by yelling “They shall pay! ", Again, this is one that's included at the top of almost every list of the show's best episodes, so in that respect, it actually fulfills both of your questions. I mean, Batman: The Animated Series was genuinely great at a lot of things, but the one thing it did better than anyone else—better than any other version of Batman that we've seen over the past 75 years—was to strip everything about the Dark Knight down to its purest form in a way that somehow never made anything feel like it lacked the complexity that made it work. Great article, especially with pinpointing where the Joker became the villain that he is instead of just doing the fanboy thing and going, “The Joker is fucking awesome!!!”. Out of all the villains in that show, Gorshin’s performance has the most in common with Ledger’s. I start to see why Alan Moore's Joker stand-in in Promethea turned out to be a series of robots. But even those characters fall short of the gold standard: Scarecrow’s archenemy may be Batman, but Batman’s archenemy is the Joker. They're not just stock adversaries, they're characters in the story, with their own thoughts that exist independently of simply trying to kill Batman, even if that's their most pressing concern. Sims does a fantastic job emphasizing this duplicity of order and chaos. Mike Florio and Chris Simms draft the top QB-WR duos in the NFL, including Russell Wilson-D.K. Lucerna is Latin for lamp and has a ton of echoes left in English. Great article, Chris. Gorgeous post, Chris. I’m glad you mentioned Gorshin’s performance in the ’60s show in there, because I found myself thinking the exact same thing when I watched the first couple of episodes recently. He claims to want to destroy “the schemers” or “people with plans”. He can do anything, so why bother? Two forces that will go on forever in a constant struggle that can only be limited by their mortal souls. The first, of course, is the Denny O’Neil/Neal Adams classic “The Joker’s Five-Way Revenge“, from 1973’s Batman #251. For the Joker, though–the story that finished out his run on the title–Englehart went back to the character’s origin story and retold it with the addition of the “Jokerized” fish–infected with the “Joker Venom” that had been his weapon of choice in 1940 and returned in “Five Way Revenge,” brought directly into focus by Rogers: It’s a strange addition, but it’s one that changes the tone of the story completely. http://www.youtube.com/watch?v=6QPGqqLYSjg, http://justicecarmon.blogspot.com/2008/12/in-darkest-night-or-just-hanging-with.html, Ads by Project Wonderful! The thing about TDK Joker is that he lies constantly. I think ultimately what makes The Joker the best villian Batman has is that the character has so few restrictions. This is the guy who pushes Batman to his limit in Dark Knight Returns and snaps his own neck after a triple-digit murder spree, just to make everyone think Batman’s finally lost it. And why its totally sweet and awesome! The scene works not just because we know what the Joker card means when Gordon hands it to Batman, but because we know that the Joker is the one you have to worry about. This should be required reading for anyone who’s a fan of Batman. It all fits. The end of the opening sequence, though, with that famous lightning strike that illuminates Batman for the first time, has him placed atop an even higher skyscraper. David Vern Reed (born David Levine; 13 December 1914 – 11 August 1994), was an American writer, best known for his work on the Batman comic book during the 1950s in a run that included a revamp of the Batplane in Batman #61 and the introduction of Deadshot in Batman #59 (July 1950). Even in Gotham, there are other ways to take a stand. Dec 7, 2013 - In this week's column, Chris Sims discusses Harley Quinn, the Joker's girlfriend one of the most misunderstood and misused characters in all of superhero comics. They may be utterly ridiculous (it’s from an insane man), but in regards to a goal, they make sense. Great article Cris, hoping you come out with more features on the bad people. Incidentally, on the animated series, they added aspects of “Five Way Revenge” to the episode based on “The Laughing Fish” to meet the standard of shark-fighting. "Almost Got 'Im. 1) Gotham may not HAVE the death penalty. You could make the case for any one of those as a perfect unit of Batman, especially the one that ends with him getting into a shirtless swordfight with an immortal bio-terrorist. The Train!" about the Joker is the new leader in my continuing search for BEST THING EVER, followed closely by "GOOD HEAVENS! I came out of that movie wanting to follow the Joker because he turned the craziness into some coherant plan… and i’m only mildly nuts. He’d want to know how long it takes to grow back. There are 4 company that have an address matching 41075 Hwy 195 Haleyville, AL 35565. And Doom is nothing if not a megalomaniac. Clowns are a stand-in for Satan. Chris Sims Bat Family Harley Quinn Joker Fictional Characters Superman Character Faces Batman Family. It’s the first occasion (and perhaps only time) where he meets an intellectual equal of the opposite side. Deception and intimidation are tactics usually associated with the bad guys, but Batman uses them for good, terrorizing his enemies with a frightening presence and, in this case, lying to their faces and insulting them in order to gather the information he needs to stop a murder. Gotham has a whole Narrows full of madmen… In her first appearance, "Pretty Poison," Ivy seduces and attempts to murder Harvey Dent, and it turns out that he still holds a pretty understandable grudge, even after switching sides and becoming a supervillain. The evolution of the character of Joker is one of the things that I looked forward to as it involves not only his sad plight (turning into joker) and the way he keeps on making strategical plans to bait Batman out in the open. Or the henchmen might have come in pretending to be maintenence workers or janitors, people that mostly go unnoticed anyway. Really, he’s just as much of a guy with an agenda as batman or dent or the mobsters are, he’s just a hypocrite. In Gotham City, mentally troubled comedian Arthur Fleck is disregarded and mistreated by society. Sims does a fantastic job emphasizing this duplicity of order and chaos. Again, that's a function of having so much going on in a single episode, but you get to see everything Batman can do. For my money, though, it all comes down to the Laughing Fish. The mob has plans, the cops have plans, Gordon’s got plans. — Chris Sims, Andy Khouri, and David Uzumeri on The Dark Knight. Deadpool: Bad Blood - Ebook written by Rob Liefeld, Chris Sims, Chad Bowers. “Now that,” thought seven year old Juicy, “is hardcore”. That's a big piece of the mythos, and don't let anyone tell you it isn't. “Oh, it’s just him lying,” you could say, but then what’s left? As great as the Ra’s Al Ghul story is Adams pulls out all the stops with Joker. We’re humans and have to grow up, throw off the shackles, and take care of ourselves. Luthor stands up and says, “No! Really, though, if you're looking for a single episode that encapsulates everything about Batman, there's only one choice. Wonderful analysis of the Joke and why he works. You can see it in the characters, of course, but you can also see it in the way everything is designed. Not to mention, it would be easier to inconspicuously plant explosives in a hospital before announcing you intend to blow up a hospital. Because, you know, he’s the bad guy. While Supes may be “a symbol of everything that’s good and selfless with a face and a logo on his chest,” alien-hating Luthor represents Man against Myth, Man against Superstition, and Reason against Religion. When Batman disguises himself as the second victim, the Joker poisons the man’s cat, knowing that it’ll find its master by scent. From Your Friends @ GeekzandGamerz.xyz. While the other crooks tell stories that just involve going up against Batman, the Joker is the one villain of the episode who tries to hurt Batman by killing someone he cares about—and he does it from behind his ever-present smile, insisting that the others tell their stories first because he knows his is far more vicious and the rules of theatricality demand that his be told as the climax. Download for offline reading, highlight, bookmark or take notes while you read Deadpool: Bad Blood. Yeah, I forgot to upload the picture last night. Schemers trying to control their worlds. They shouldn't have to be there. Both are working outside of the law, and both are attempting to, in one way or another, create their own utopia of sorts. The usual approach, and the thing that often made BTAS feel like a more sophisticated cartoon than anything else on TV in the early '90s, was to tell its stories with a slow burn. It might not make sense from a realistic perspective, but as a bit of visual shorthand, it's rad as hell. I’m not a SEAL and I really don’t care, but I’m just saying, maybe. I DEMAND MY MONEY BACK.”. In 1940’s “The Joker,” the murders are all organized around robberies, but for “The Laughing Fish,” the Joker’s motivation–killing government employees because he can’t copyright the fish he’s infected–is completely insane. It's not just the villains who have their relationships defined in this episode, either. In TDK, we are given plenty of clues as to the motivation of the Joker: revenge against society. At least they show Batman constructing his sonar cell phone web thing earlier in the movie. All of Joker’s plans had this deus ex machina feel to them. ALL OF MANKIND SHALL PAY FOR THIS!” That’s thinking big. And that observation on Frank Gorshin’s portrayal was spot on. Mal "Vermin64" Gardiner on January 11, 2009 at 9:07 am said: He’ll be laughing on the other side of his face when the Joker’s hilariously evil “boot-polish-on-the-binoculars” trap exacts its full toll… In particular, I don’t see a real fleshing out of what makes the Joker such an interesting and effective villain. That kind of begrudging camaraderie is a really interesting aspect of what makes those villains work: they all hate Batman, but they hate him in different ways, and they have histories with each other in addition to having histories with him. On the rare occasion that people like to buy me stuff, I like to make that happen. When she shows up, she and Batman are unambiguously on the same side, something that immediately sets her apart from the other arch-criminals. Maybe, but I’m of the opinion that there has to be a turning point somewhere. But we'll get back to that in a second. How he gets there is the creativity and genius. Even in the finale of Batman Year One–the Alpha to DKR‘s Omega–the Joker’s used as shorthand for the new type of criminal that’s going to be rising to challenge Batman. Even his disdain for money. By focusing on the hapless Sid the Squid, "The Man Who Killed Batman" takes viewers on a tour through Gotham City's underworld, interacting with the Joker, who stands in for Batman's more colorful arch-nemeses, and Rupert Thorne, who represents the more "realistic" gangsters. @Phineas: Actually, while the description of the Joker is seemingly detailed, I found your post lacking in analysis. It’s not a force of nature, and it’s not chaos, and it’s not madness. In fact, in several cases it involved seriously going out of his way. English major, huh? The best appearances of the Joker fit into that archetype. That Batman isn't just sitting quietly at a nearby table disguised as Matches Malone, and that he's instead running a con on his own arch-enemies that involves portraying one of them as a rock-stupid idiot? I mentioned before that the Joker’s the embodiment of chaos, but in this story–and others, including The Dark Knight–the way he spreads anarchy is through meticulous plans and an ability to second-guess and out-think everyone at any turn. yet all of his attacks in the movie must have required precise planning and thought. ... Joker's Best Partner Isn't Harley Quinn or Punchline - It's [SPOILER] The Fast and The Furious Draws Its Name From a 1954 Film. Metcalf and Patrick Mahomes-Tyreek Hill. What makes him? But when we looked it up, we found out that not only is it a game that already has a connection to comics, but it has that fascinating real-world story behind it, too. Poisons people by giving them “a ghastly grin?” Crazy enough to copyright fish? Scratch that: For anyone who’s a fan of comics. The Green Goblin was a legitimate threat with an interesting hook and some good stories under his belt, but he wasn’t the Spider-Man villain until he chucked Peter Parker’s girlfriend off a bridge. Also a good catch-all Batman trade: Batman in the Eighties, which has the aforementioned Wrath story (“The Player on the Other Side”), the best Scarecrow story ever (“Fear For Sale”), the classic “To Kill A Legend” and the story about the Joker’s birthday. Those two stories did show you just HOW mad and scary the Joker was – and why Batman probably sweats when he faces him. Movies are mentioned, mostly with scorn, but the original source material is always the focus. The story is so good and the art, the art just blows my mind every time I read it. What…Oh, you get the idea. * I wanted to see that guy, the villain who kills not because he’s trying to prove a philosophical point, but because he thinks it’s FUNNY. Is this what we can expect from the suddenly more mature Chris? The Joker cheats, of course, but he literally has an ace up his sleeve. My opinion anyway. I've even written before about how Eric Radomski and Bruce Timm's opening sequence works as a perfect introduction to the character, silently teaching you every single thing you need to know about Batman in just 57 seconds. This, my friends… this is an arch-nemesis. Two-Face has the same split-personality as Batman and Bruce Wayne, but with a mask that he can’t take off. They might hate Batman enough to try murdering him with a poisoned hummingbird or whatever, but her relationship with him is far more affectionate, even if they're on opposite sides of the law. I think they need to re-evaluate the whole joker fish thing. Then again, maybe I have this backwards. On a purely functional level, there's just more in this episode than almost any other. May 11, 2013; Over the past 70 years, there have been a lot of different sides to Batman's character. Sure… he’d end up getting himself killed or something, but he should help a brother out! These three topics are essential in discussions about any truly interesting villain. Definitely made my day, and would definitely love to see more things like this in the spirit of comics appreciation. To be clear, I am squarely on your side. Batman, for instance, only speaks a few lines in each of the flashbacks, instead working as this silent, omnipresent force that's hanging over the entire proceedings, and helping to underline the big twist in the third act where you find out that he's actually been talking quite a bit. I never really heard of him until the batman movie. If there was any doubt that Dini and Radomski were hanging a lampshade on it, however, that's eliminated when Harley Quinn offers Batman the equally cliché choice of letting her go or saving Catwoman, not realizing he's within arm's reach of the switch that can shut off the machinery. What a wonderful and thoughtful analysis of the Joker. To Sims, it was easier to stomach Harley’s devotion to the Joker in the Batman television show, … That’s a hell of a detailed analysis. I suppose he could copyright the poison, but he would never want or allow anyone to use the Toxin but himself, so I don’t see any profit in it for him. See more ideas about sims 4, sims, superhero. http://www.collegehumor.com/video:1826024, “It’s not that he can do anything, it’s that he does things unpredictably but realistically and, most importantly, deliberately. At its heart, you can trace it to the fact that the Joker takes what is literally the opposite route: From his first appearance in 1940, he’s everything Batman’s not in every way but one. Chris Sims. Well, if the shots are clever and interesting and relatively brief, then yeah, shots of extras hiding things are not necessarily bad. I’ve passed this along to a number of people; a really enjoyable and illuminating read. I think you’re absolutely right. The companies are Joker Enterprises Inc, Big Dog Transport Inc, Chris Sims … Oh hell yeah. He’s just pure chaos like you said and it means a good writer has almost limitless storytelling potential with him. The people he murders are less than nothing to him; it’s not about them. It’s worth nothing that this is loaded with typos. That’s what made the end of TDK so frustrating for me. His use of misinformation, his complete disregard of his ‘criminal allies’ but his DESIRE to NOT kill Batman. Even if there might be buyers, he wants to be the only one who uses it. You know what I am? But misdirection for what?
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